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Пресса о Колине #9
Carrie: Предыдущая пресса закончилась здесь Продолжаем...
ЭРА: Romi пишет: «Колин такой супер-секси-мачо, — сказала Берчмор. — Там была дюжина людей. Но не менее полутора часов он провел исключительно со мной. Называл меня «Ронда — рыжая коротышка» и заставил скинуть туфли. Он запивал мартини пивом. Romi, гор спасибо Мама дорогая, Нашего секси называли, а вот мачо : Может быть определённого типа женщины на него так действуют , что он готов мартини пивом запивать, заставлять их разуваться... Видать не привык смотреть на женщину снизу вверх. А тётя-то огромная, у Коли даже личико поменьше
Romi: Ну всё... Нарвался наш любезный... click here Оригинал под катом. Colin Firth finds kids 'loathsome' From ANI Washington, Sept 5: Despite having three kids of his own, Colin Firth finds small children "loathsome." The 'Mamma Mia! star' has two sons with his wife Livia Giuggioli; Luca, seven, and Matteo, five, - as well as an 18-year-old son, William, with ex-girlfriend Meg Tilly. However, Firth admits that he sometimes struggles to be affectionate with certain children - because they can be so annoying. "I don't always love kids. Sometimes I absolutely loath them," Contactmusic quoted him, as saying. "Children are just people who haven't lived very long yet. "I'm predisposed to be affectionate if someone's smaller, but if they're loathsome in the first five minutes they're loathsome," he added.
olja: Romi пишет: Ну всё... Нарвался наш любезный А что такого? Честно признался...
Romi: olja На самом деле ничего такого он и не сказал, а заголовочек писаки придумали эффектный. Дай им пальчик — они...
olja: Romi пишет: а заголовочек писаки придумали эффектный. Ха, после номера с деталью организма, это детский лепет...
ЭРА: Нормально сказал, иногда люди под нелюбовью к детям понимают собственное нежелание с ними возиться, сюсюкаться. Словом все те моменты, когда детская деятельность и капризность вносит сумятицу в окружающий взрослых порядок. Мой супруг тоже не может терпеть раскиданных игрушек и отпечатков ладошек на экране телевизора, а также этих самых ладошек в тарелке с кашей (Девам свойственна любовь к аккуратности), но тем не менее он всегда был и остаётся нежным и любящим отцом для своего ребёнка А название состряпано по законам бульварного жанра
Romi: olja ЭРА +1
гор: Достанется ему теперь - за искренность. У них во всем перебор с политкорректностью. Но я тоже подписуюсь под каждым словом - особенно если переводить его слова с конца к началу: "I'm predisposed to be affectionate if someone's smaller, but if they're loathsome in the first five minutes they're loathsome," "Children are just people who haven't lived very long yet. "I don't always love kids. Sometimes I absolutely loath them," Contactmusic quoted him, as saying. "Я изначально благожелательно настроен к малышам, но, если уже спустя пять минут они не выносимы - значит, невыносимы. Ведь дети - это всего лишь люди с малым числом прожитых лет. И я не всегда люблю детей - иногда не терплю их абсолютно". Я лично могу о себе сказать почти то же самое - если через пять минут с ребенком не получается контакта - на каком-то подсознательном уровне, ибо совсем необязательно лизаться-сюсюкать-целоваться (я так этого просто не умею) - то это не мой человек. Хотя не могу сказать, что это будет непременно отвращение. Инстинкты женские все-таки иначе настроены. Но бывает и так. Я просто не выносила, помнится, дочку моей подружки в 70-80-х. Капризно-манерно-фальшивое существо просто до отвращения - ходячее воплощение всего, что не выношу в детях. И между тем - насколько они же могут перемениться где-то - там, на каком-то этапе. Как в худшую, так и в лучшую - или просто в совсем другую сторону. Но до этого надо как-то дожить еще. Мужчинам это трудно переварить.
Romi: гор Ага, ППКС. Я так просто боюсь малых детей. И первые пять минут даю им себя обсмотреть, абсолютно не обращая на них внимания. А потом уж как оно идет на контакт... Да, первые пять минут — определяющие, этточно.
ЭРА: Romi пишет: Я так просто боюсь малых детей А я люблю детей в глобальном смысле, но не замираю. Хотя, маленькие — прелесть. Но больше нравятся 6-летние (возраст "почемучек"). А в контакт можно войти с любым ребёнком ( за исключением аутиста, конечно), только качество контакта будет зависеть от многих причин, а поэтому будет различным. Но некоторые люди обладают врождёнными способностями ладить с детьми, у меня же этот опыт приобретённый.
гор: Нет, со всеми - не могу. Врожденного нету от рождения, приобретенный же не культивировала. Я почему-то не могу найти твою ссылочку на статью о гормонах - ну все равно, мерси. Про гормон материнской любви - интересно. Вообще видимо так и есть - ведь не секрет, что материнские чувства вплоть до появления молока возникают и у не родивших тех-или-этих малышей, и даже не рожавших вообще, и даже иногда у самцов.
ЭРА: гор пишет: не могу найти твою ссылочку на статью о гормона в беседке
Jane: ЭРА пишет: за исключением аутиста, конечно Почему за исключением? Аутисты же очень разные бывают.
Romi: Interview : Colin Firth click here Interview : Colin Firth Mr Darcy talks about being stepping into a much darker romantic role in Helen Hunt's 'Then She Found Me'. 09.11.08 What is it about Colin Firth? The man oozes charisma, women everywhere want to date him, while men want to be him. A recent video interview with Colin on Movies.ie received 20,000 more views than his co-star Pierce Brosnan, so he must be doing something right! Not content with huge box office success in 'Mamma Mia', Colin is returning to cinema screens this month to star opposite Bette Midler and Matthew Broderick in 'Then She Found Me', the directorial debut from actress Helen Hunt. Q: Your character in 'Then She Found Me' is a much darker romantic lead than the Colin Firth we are used to seeing, no? "I haven't inhabited those romantic roles to quite the extent that they've inhabited other people's imaginations, if you know what I mean. It's down to a handful of films, or some TV with the stuff in people's imaginations. Which is great, successful things, you're probably only too aware of all the oddities that come out over time, but they've all been romantic. So from where I stand romantic is not more than a theme, I think this is more to do with other people's perception of it than mine." Q: Did you get a handle on such a dark character right away? "I wasn't sure who he was when I first read it. We didn't have a lot of time, I don't quite know the history but I believe financing came together very suddenly so I was cast in haste. I had 'When Did You Last See Your Father' looming, and I didn't think I had time to do it, but this just fit in beforehand. I didn't know whether they wanted me to play him English or American. He was a little bit undefined on the page, really. But Helen was up for any suggestions, and we just sharpened it in that direction. I think it's quite funny to use that English stereotype and insert a bit of hysteria." Q: Some of the dialogue doesn't sound like the work of an American screenwriter, did you have a hand at adding some classic Colin Firth dialogue into the script? "Yeah, I think I tweaked one or two lines in that direction. My character wasn't written English, which is a blessing really because there's no 'I say, old chap,' which could well have been there if they decided to make a virtue of his Englishness. There was a little bit of tailoring to be done to make him playable in my tones. That line is pretty comical, and I think that's not unusual for English guys in a rage. It's usually a preposterous spectacle." Q: There are a lot of ladies out there who think of you as a sex symbol and a romantic icon. . . "When I look in the mirror I'm glad that they feel that way. I haven't been chased down the street, not has anyone ever thrown their underwear at me! Anyway, I've spent years trying to figure out why Mr. Darcy's fully clothed swim in his breeches and shirt caused such a sensation. My wife Livia certainly wouldn't go weak at the knees if I came home in a sodden shirt! And I've certainly never seen myself as a sex symbol." Q: Do you think you will ever get away from the Mr Darcy tag? "Mr Darcy got my name recognised but it also put me in a box. It made me feel a bit of a star but 12 years on it feels like a school nickname you can't shake." Q: Would you ever follow in Helen Hunt's footsteps and direct a movie yourself? "I don't want to direct myself, it's just too much like hard work. I would direct something if I felt passionate about enough about it to stick at it for a couple of years, two or three years, because it really does take that if you want to develop something yourself. I wouldn't just change my job description for the hell of it." Q: When playing a dad on screen dad are you conscious that your younger co-stars might steal the scene and take away some of the gloss from your performance? "Very. This thing about not working children and animals isn't just a mindless adage, there's some wisdom in it. It's not because they're impossible, for one thing there are two conflicting things going on here. You're dealing with a kid of about four, and their needs are nothing to do with the filmmaker's needs. They're not going to time it conveniently, filmmaking does not happen to a schedule, you don't shoot something because you feel like it and you're ready, you shoot something because the camera guy is ready, the circumstances are right, the light is right and the producer is looking at his watch. That's why you shoot it. A four year old is very, very unlikely to have a temperament that's compatible with any of that. And so the chances are you're going to have people there who just ask a child to do that thing, now, and get going again. Also because you're going to lose them in a few minutes because of all the rules. Actually a child doesn't need any of that at all. Probably shouldn't even be there. A child needs all sorts of other things that are nothing to do with filming, or a filmmaker's interests." Q: Your screen daughter performed beautifully in one scene in which she was supposed to have earache, didn't she? "We called her Meryl Streep, she's just extraordinary. There was a scene I was talking to Helen about, we just watched her having no self consciousness at all. I can't remember how old she was, I think she wasn't older than about three or four, and she just sat there, existing as a human being while all these cameras and things were going around her. Actors can't do that very easily, we act like we're sitting there existing. But that was the thing where you just think you could take a leaf out of her book, because that's the real thing happening." Q: Does being a dad actually help in the scenes that you share with younger actors? "I don't know, dealing with somebody else's child is so different from dealing with your own that you might as well be someone who doesn't have kids. I acted with kids, not as a dad, but I did act with kids before I became a father and I think you're just using your imagination in another way, really. People with kids don't necessarily like anyone else's kids and a lot of people who don't have kids love kids anyway, so I don't know." Q: What's the reaction of your own children to the notion of acting for a living? "Two of them are too young really to be at that point, and I haven't really exposed them to much of it. I've got older step kids who I've known since a very early age, and a son, and they're not interested. But they haven't only seen the good bits, they've seen that it's a bit of a mixed commodity."
Romi: Еще интервью: 'People don't take heart-throbs seriously' click here 'I ask myself, is acting a job for a grown-up?': Colin Firth 'People don't take heart-throbs seriously' Last Updated: 12:01am BST 11/09/2008 Colin Firth tells Benjamin Secher about the trials - and treats - of life after Darcy While making his new film, Then She Found Me, Colin Firth was bossed about by his co-star, the Oscar-winning actress and first-time director Helen Hunt. "It was a bit strange," he says, in his distinctive, starchy mumble. "It can put you on the back foot a bit, being directed in a love scene by your leading lady." Firth explains how, after the pair had simulated passion for the cameras, Hunt would leap up immediately to watch a replay of the scene on a monitor. "Then she'd look at me and say 'Hmm, I think we should do it again. Perhaps you could be a bit more manly this time.'" He winces, smiles, then rakes a hand over his stubble. "The sooner we were done with that, the better." Manliness - or, more precisely, gentlemanliness - is exactly what directors and audiences have been expecting of Firth ever since his performance as a dashing Mr Darcy in the BBC's Pride and Prejudice made him a household name back in 1995. Rarely out of work since, he has been required repeatedly to play a variation on that intense, brooding, blustering English gent: in Bridget Jones's Diary; in Fever Pitch; in Love Actually; and this week, as a grumpy divorcé who falls for his child's teacher, in the off-beat romantic comedy Then She Found Me. "I think most actors, however brilliant, have some sort of trademark that they carry from one role to the next," he says. "However much of a burden that is, it's also your currency in this job". In his pre-Darcy days, Firth (now 48 years old) felt he "was cultivating a nice reputation for versatility". Variety was the defining characteristic of his early life - born in Nigeria to schoolteacher parents, he moved throughout his childhood between Africa, England and the US - and the first phase of his career saw him embody such diverse characters as a Marxist Etonian (in Another Country, his feature debut), an 18th-century French viscount (in Valmont), and an officer in the Falklands War (in Tumbledown, for which he won a BAFTA). "I was slightly marginalised in those days, struggling a bit," he says. "In a way it puts you in fairly good odour with the critical community if you are seen to be slightly outside of things." Then Darcy came along and deposited him slap-bang at the heart of the nation's affections. "I discovered that as soon as the term heart-throb comes up, you have got some hard work to do to get people to take you even remotely seriously." There is no delicate way to put this, but looking at Firth these days one sees the figure of a man shifting squarely into middle age: the black hair fading to grey around the temples; the angular jawline softening into a genial curve. Surely the time is approaching for the secretary of the international heart-throb club to inform him that his membership has expired, freeing him from frivolous romantic roles for good. "Oh I thought that time had already passed years ago," he says, with a surprisingly toothy smile. "I thought past 30, I wouldn't be doing romantic stuff: one of the reasons I finally accepted the role in Pride and Prejudice was that I thought it was probably my last chance to play a lover. But no, they'll drag you on. You get all kinds of geriatrics playing romantic on screen - and they usually throw in an 18-year-old girl [to co-star]. I don't think it's over for me yet. I've just joined all the other bald, old, fat bastards that we are supposed to believe have got the likes of Scarlett Johansson lusting after them." Part of the appeal of the new film - which also stars Bette Midler, Matthew Broderick and, in a bizarre cameo as an obstetrician, Salman Rushdie - is that, for once, his leading lady is of the same generation as Firth (Hunt is 45). "I liked that," he says. "I think this film is an honest attempt to tell a story about people in their forties making a mess of their lives, bringing a whole lot of misery on themselves. The characters are not seen at their most flattering - everybody behaves shabbily at one point - and there is something grown up about that." As a heart-throb or otherwise, Firth remains as in demand as ever. Then She Found Me follows on the heels of an all-singing appearance in Mamma Mia!, and he already has two further films awaiting release. The first is a Michael Winterbottom movie called Genova (which Firth thinks is "just fantastic"); the second, an adaptation of Noël Coward's Easy Virtue. "The wonderful thing about acting in a film - unlike theatre - is that you have always moved on by the time it comes out," he says. "You can feel somehow protected by the optimism of the new project." Filming is also about to begin on a big-screen version of Oscar Wilde's The Picture of Dorian Gray, in which Firth will appear as Lord Henry Wooton, the corrupter of Ben Barnes's Dorian. After appearing in more than 50 films, does Firth ever consider giving up acting to focus his energies elsewhere? After all, he is also a published writer - he once contributed a short story to an anthology edited by Nick Hornby - and has a young family to occupy his time (two sons with his wife, Italian film producer Livia Giuggioli, plus a teenage son from a previous relationship with the American actress Meg Tilly). "There are people who can't quite believe that I am still putting on a frock and mincing about in front of the camera," he says, "and I do sometimes feel that myself. Part of the problem with acting is that, unlike being a concert pianist, the better at it you are, the more trivial it appears to other people; the more it just looks like you are doing a load of behaviour in front of a lens, and anybody can do that." He pauses, his smile fading. "Sometimes I ask myself, is acting a job for a grown-up? Am I stuck with the decision of an 18-year-old? And I think in some ways, yes I am. But then I find myself involved in a new project that's so interesting, working with an actor or director I admire so much, that I wonder why I would even consider giving up." Продолжение темы здесь.
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